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the French Institute of the Near East today pays tribute to one of its most eminent members
works previously unknown to the public—Cratères
Chapter II – History of research
the "stupid" copy both servile and pretentious
Edition limitée. Vollard, Petiet et l'estampe de maîtres. Proche et Moyen Orient the French Institute of theAn exceptional figure in the art market at the turn of the century, Ambroise Vollard (1866 1939) distinguished himself by his audacity, which made him a promoter of Czanne, Gauguin, and Rouault, as well as of the young Picasso. A difficult and enigmatic character, he was also passionate about the publication of prints and illustrated books, deploying much of his energy and resources to tirelessly solicit creators and collectors. At the end of the war,
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